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Sunday, November 9, 2014

WULAR LAKE

Wular Lake (also spelt Wullar), One of the largest fresh water lakes in Asia, is in Bandipora district in the Indian state of Jammu and Kashmir. The lake basin was formed as a result of tectonic activity and is fed by the Jhelum River. The lake's size varies seasonally from 12 to 100 square miles (30 to 260 square kilometers). Boating, water sports and water ski have recently been launched by the Government of India Tourism in collaboration with Kerala Tourism and J&K Tourism. The contract for the operation of the site was awarded in September 2011.

NATURAL HISTORY

The lake is one of the 23 Indian wetlands designated as a Ramsar site. However it faces environmental threats including the conversion of large parts of the lake's catchment areas into agriculture land, pollution from fertilizers and animal wastes, hunting of waterfowl and migratory birds and weed infestation in the lake itself.

Fish
Wular Lake is an important fish habitat, the main species being the Common carp (Cyprinus carpio), rosy barb (Barbus conchonius),mosquito fish (Gambusia affinis), Nemacheilus species, Crossocheilus latius, and various snowtrout species in the genera Schizopyge andSchizothorax. Snowtrout species identified in the lake include the Sattar Snow trout (Schizopyge curvifrons), Chirruh Snowtrout(Schizopyge esocinus), Schizothorax planifronsSchizothorax macropogonSchizothorax longipinus and Chush Snowtrout (Schizopyge niger).

Wular Lake, located in the Jammu and Kashmir region of northern India, is something of a mystery. The name Wular is believed to be a corruption of the Sanskrit word Ullola, meaning turbulent. Formed by tectonic activity, Wular Lake is one of the largest freshwater lakes in Asia.Wular Lake may be regarded as the delta of the Jhelum in Kashmir.In its course from Kanabal to the Delta the fall of the river is 165 feet in the 30 miles,and 55 feet in the next 24 miles.From the Baramullathe fall is very slight. In December ,when the river is at its lowest, the average breadth is 210 feet and its mean depth is 9 feet. To the ordinary observer it would seem evident that the river arose from the grand spring of deep blue water at Vernag which bubbles up underneath a steep scrap of rock clothedwith pines, but the Hindus maintain that a spring a little Vernag, known as Vethvatru, has the honour of being the source of the great Kashmir River .
Fish from Wular Lake make up a significant part of the diet for many thousands of people living on its shores and elsewhere in the Kashmir Valley. More than eight thousand fishermen earn their livelihood from the lake, primarily fishing for the endemic Schizothoraxspecies and the non-native carp. Their catch comprises about 60 percent of the total yield of fish in Kashmir. Hundreds of other local villagers are employed by cooperative societies that trade the fish catch. More than 8,000 fishermen earn their livelihood from Wular Lake. Many other families harvest plants such as the grass Phragmites and the waterlily-like Nymphoides from the lake for animal fodder.

BirdS

The lake sustains a rich population of birds. Terrestrial birds observed around the lake include the Black-eared Kite, Eurasian Sparrowhawk, Short-toed Eagle, Himalayan Golden Eagle, Himalayan Monal, Chukar Partridge, Koklass Pheasant, Rock Dove, Common Cuckoo, Alpine Swift, Indian Roller, Himalayan Woodpecker, Hoopoe, Barn Swallow, Golden Oriole and others.

RECOGNITION

In recognition of its biological, hydrological and socio-economic values, the lake was included in 1986 as a Wetland of National Importance under the Wetlands Programme of the Ministry of Environment and Forests, Government of India for intensive conservation and management purposes. Subsequently in 1990, it was designated as a Wetland of International Importance under the Ramsar Convention.





































































Wednesday, November 5, 2014

CHILKA LAKE

Chilka Lake (Chilika Lake) is a brackish water lagoon, spread over the Puri, Khurda and Ganjam districts of Odisha state on the east coast of India, at the mouth of the Daya River, flowing into the Bay of Bengal, covering an area of over 1,100 km. It is the largest coastal lagoon in India and the second largest lagoon in the World.
It is the largest wintering ground for migratory birds on the Indian sub-continent. The lake is home to a number of threatened species of plants and animals.  The lake is an ecosystem with large fishery resources. It sustains more than 150,000 fisher–folk living in 132 villages on the shore and islands.
The lagoon hosts over 160 species of birds in the peak migratory season. Birds from as far as the Caspian Sea, Lake Baikal, Aral Sea and other remote parts of Russia, Kirghiz steppes of Mongolia, Central and southeast Asia, Ladakh and Himalayas come here. These birds travel great distances; migratory birds probably follow much longer routes than the straight lines, possibly up to 12,000 km, to reach Chilika Lake.
In 1981, Chilika Lake was designated the first Indian wetland of international importance under the Ramsar Convention.
According to a survey, 45 percent of the birds are terrestrial in nature, 32 percent are waterfowl, and 23 percent are waders. The lagoon is also home to 14 types of raptors. Around 152 rare and endangered Irrawaddy Dolphins have also been reported. Plus, the lagoon supports about 37 species of reptiles and amphibians.
The highly productive chilika lagoon eco-system with its rich fishery resources sustains the livelihood for many fisher men who live in and near the Lagoon. The water spread area of the Lagoon ranges between 1165 to 906 km2 during the monsoon and summer respectively. A 32 km long, narrow, outer channel connects the lagoon to the Bay of Bengal, near the village Motto. More recently a new mouth has been opened by CDA which has brought a new lease of life to the lagoon.
Microalgae, marine seaweeds, sea grasses, fishes and crabs also flourish in the brackish water of the Chilika Lagoon.

HISTORY

        Geological evidence indicates that Chilika Lake was part of the Bay of Bengal during the later stages of the Pleistocene period (1.8 million to 10,000 years BP).
Excavations were conducted by the Archaeological Survey of India at Golabai Sasan  just north of Chilka lake in Khurdha district.  Golabai provides evidence of a sequence of Chilka area culture in three phases: Neolithic (c. 1600 BCE), Chalcolithic (c. 1400 BCE to c. 900 BCE) and Iron Age (c. 900 BCE to c. 800 BCE). Radiocarbon dating traced the earliest level of Golbai to 2300 BCE. The site is located on the left bank of the Malaguni River, a tributary of the Daya River, which flows into Chilika Lake. This location, which gave access to the sea via Chilika Lake, gives strong evidence of the maritime activities of this region. The recovery of many woodworking adzes and other artifacts shows that Golabai was a boat-building centre. Significantly, Golabai is the only excavated site in Odisha where boat building has been revealed. This also indicates that Chilka lake was very close to Golabai and it facilitated the maritime trade of people in the area during the ancient period.
Some ancient texts say the southern sector of Chilika was a major harbour for maritime commerce, when Kharavela (IAST: Khāravela, Devanagari, Oriya (c. 209 BCE–after 170 BCE), the King of Kalinga, was known as Lord of the Sea.
Ptolemy (150 CE), the Greek geographer, referred to Palur as the port Paloura, located close to the point of departure situated outside of the southern tip of the lake at Kantiagarh, from where ships bound for different parts of Southeast Asia sailed. After 639, the Chinese pilgrims Fa-Hien and Hiuen-Tsang mention a famous port "Che-li-ta-loChing" near the shore of the ocean which was a thoroughfare and resting place for seagoing traders and strangers from distant lands. This port was located at ‘Chhatragarh’ on the banks of Chilika Lake.
A fourth century legend, often told to explain the birth of Chilika, states that the pirate king, Raktabahhu, planned to attack Puri with a huge fleet of ships. To avoid detection, he stealthily anchored out of sight, off the mouth to the sea. The deception was revealed by ships' refuse floating to the shore, thus warning the town’s people, who escaped with all their possessions. Raktabahu felt betrayed when he found an abandoned town and directed his fury towards the sea that had betrayed him. The sea parted to let the army march in, then surged back, drowned the army and formed the present lake.
Archeological excavations discovered Seventh century ship anchors and stone memoirs dedicated to battle heroes at a village named Kanas, about 25 km (16 mi) north of Chilika on the banks of Nuna river, which flows into the lake. This gives evidence of an historic naval engagement off the coast.
A 10th-century text, the Brahmanda Purana, mentions Chilika Lake as an important centre of trade and commerce, and a shelter for ships sailing to Java, Malaya, Singhala, China and other countries. This suggests that the lake was then deep enough for berthing seagoing ships and had a channel to the sea big enough for loaded trading ships embarking to Southeast Asia.  The villagers around Chilika Lake still observe an annual festival called "Bali Yatra" (Journey to Bali).
In 1803, the British entered the shores of the lake, reached Puri and occupied Odisha with the help of Fateh Muhammed. Fateh Muhammed in turn was rewarded by the British with freehold of the areas of Malud and Parikud, of the present day Garh Krishnaprasad revenue block.
Over the years, poets including Kabibar Radhanath Ray and Pandit Godavarish Mishra, freedom fighters and Saints have extolled historicity of the lake as pertinent to its cultural, spiritual and religious aspects.

HYDROLOGY

        Three hydrological subsystems control the Hydrology of the lake. The land based system comprises distributaries of the Mahanadi River on the northern side, 52 river channels from the western side and the Bay of Bengal on the eastern side. Two of the three southern branches of the Mahanadi River that trifurcates at Cuttack, feed the lake. 61% (850 cubic metres per second (30,000 cu ft/s)) of the total fresh water inflow into the lake is contributed by these two branches.
The second drainage system which is non–perennial accounts for 39% (536 cubic metres per second (18,900 cu ft/s)). The important rivers of this drainage system are the Kansari, the Kusumi, the Janjira and the Tarimi rivers. The annual total surface freshwater input to the lake is estimated to 1.76 cubic kilometres (1,430,000 acre·ft) including direct precipitation over the lake contributing 0.87 cubic kilometres (710,000 acre·ft) All the inland river systems disgorge an annual flow of about 0.375 million cubic metres (304 acre·ft) of freshwater which is estimated to carry 13 million metric tons of silt into the lake. On the north east a channel connects the lake to the Bay of Bengal.

ATTRACTIONS

        Chilika Lake is the largest wintering ground for migratory birds, on the Indian sub-continent. It is one of the hot spots of biodiversity in the country. Some species listed in the IUCN Red List of threatened animals inhabit the lake for at least part of their life cycle.
White bellied sea eagles, greylag geese, purple moorhen, jacana, herons and flamingos, Egrets, Gray and Purple Herons, Indian Roller, Storks and White Ibis, Spoonbills, Brahminy Ducks, Shovellers and Pintails, and more.
Recent surveys revealed an overall 726 species of flowering plants belonging to 496 genera and 120 families. This represents about one –fourth of the vascular plant species of the Odisha state where some 2900 species altogether are found. Fabaceae is the most dominant plant family followed by Poaceae and Cyperaceae. Certain species were found to be characteristic of specific islands. The flora is predominantly of aquatic and sub-aquatic plants. Overall 726 species of flowering plants belonging to 496 genera and 120 families have been recorded. Fabaceae is the predominant plant family followed by Poaceae and Cyperaceae. The species reported are leguminosae, poaceae, and cyperaceae; endemic cassipourea ceylanica; five species of seagrass, and more.
Nalbana Island is the core area of the Ramsar designated wetlands of Chilika Lake. Nalbana means a weed covered island In the Oriya language. It is a major island in the center of the lake and has an area of 15.53 km2 (6.00 sq mi). The island gets completely submerged during the monsoon season. As the monsoon recedes in the winter, lake levels decrease and the island is gradually exposed, birds flock to the island in large numbers to feed on its extensive mudflats. Nalbana was notified in 1987 and declared a bird sanctuary in 1973 under the Wildlife Protection Act.






















































Tuesday, November 4, 2014

SHALIMAR GARDEN

Shalimar Bagh  is a Mughal garden linked through a channel to the northeast of Dal Lake, on its right bank located near Srinagar city in Jammu and Kashmir. Its other names are Shalamar Garden, Shalamar Bagh, Farah Baksh and Faiz Baksh, and the other famous shore line garden in the vicinity is Nishat Bagh. The Bagh was built by Mughal Emperor Jahangir for his wife Nur Jahan, in 1619. The Bagh is considered the high point of Mughal horticulture. It is now a public park.

While the recent history and development of the Mughal types of gardens is credited to Emperor Jahangir, the ancient history of the garden can be traced to the 2nd century when it was built during the reign of Pravarsena II. Praversena II founded the city of Srinagar and ruled in Kashmir from 79 AD to 139 AD. He had built a cottage for his stay at the northeastern corner of the Dal Lake and had named it Shalimar . The word "Shalimar " in Sanskrit means abode of love.The king, on his visits to a local saint by the name Sukarma Swami at Harwan, used to stop at this cottage. Over the years, the cottage fell into ruins and later could not be located. However, the name of the village remained as Shalimar.
It is here that Emperor Jahangir built his celebrated Shalimar Bagh, his dream project to please his queen. He enlarged the ancient garden in 1619 into a royal garden and called it 'Farah Baksh' ('the delightful'). He built it for his wife Nur Jahan ('light of the world'). In 1630, under Emperor Shah Jahan’s orders, Zafar Khan the governor of Kashmir got it extended. He named it ‘Faiz Baksh’ ('the bountiful'). It then became a pleasure place for the Pathan and Sikh governors who followed Zafar Khan.
During the rule of Maharaja Ranjit Singh the marble pavilion was the guest house for European visitors. Electrification of the premises was done during Maharaja Hari Singh’s rule. Thus, over the years, the garden was extended and improved by many rulers and called by different names, but the most popular name ‘Shalimar Bagh’ continues to this day.
During the Mughal period in particular, Emperor Jahangir and his wife Nur Jahan were so enamoured of Kashmir that during summer they moved to Srinagar with their full court entourage from Delhi at least 13 times. Shalimar Bagh was their imperial summer residence and the Royal Court. They crossed the arduous snowy passes of the Pir Panjal mountain range on elephants to reach Srinagar.

Architecture

The architectural details of the three terraces of the garden are elaborate.
The first terrace is a public garden or the outer garden ending in the Diwan-e-Aam (public audience hall). In this hall, a small black marble throne was installed over the waterfall.
The second terrace garden along the axial canal, slightly broader, has two shallow terraces. The Diwan-fa-Khas (the Hall of Private Audience), which was accessible only to the noblemen or guests of the court, now derelict, is in its centre. However, the carved stone bases and a fine platform surrounded by fountains are still seen. The royal bathrooms are located on the north-west boundary of this enclosure. The fountain pools of the Diwan-i Khas, the Diwan-i-Aam, and in turn, the Zenana terrace ae supplied in succession. it has 410 fountains
In the third terrace, the axial water channel flows through the Zenana garden, which is flanked by the Diwan-i-Khas and chinar trees. At the entrance to this terrace, there are two small pavilions or guard rooms (built in Kashmir style on stone plinth) that is the restricted and controlled entry zone of the royal harem. Shahajahan built a baradari of black marble, called the Black Pavilion in the zenana garden. It is encircled by a fountain pool that receives its supply from a higher terrace. A double cascade falls against a low wall carved with small niches (chini khanas), behind the pavilion. Two smaller, secondary water canals lead from the Black Pavilion to a small baradari. Above the third level, two octagonal pavilions define the end wall of the garden. The baradari has a lovely backdrop of the snow mountains, which is considered a befitting setting for the Bagh.













































Friday, October 24, 2014

VIRUPAKSHA TEMPLE

Virupaksha Temple Is located in Hampi  350 km from Bangalore, in the state of Karnataka in southern India. It is part of the Group of Monuments at Hampi, designated a UNESCO World Heritage Site. Virupaksha is a form of Shiva and has other temples dedicated to him, notably at the Group of Monuments at Pattadakal, another World Heritage Site.
Hampi sits on the banks of the Tungabhadra River in the ruins of the ancient city of Vijayanagar, capital of the Vijayanagara empire. Virupaksha Temple is the main center of pilgrimage at Hampi and has been considered the most sacred sanctuary over the cenituries. It is fully intact among the surrounding ruins and is still used in worship. The temple is dedicated to Lord Shiva, known here as Virupaksha, as the consort of the local goddess Pampa who is associated with the Tungabhadra River. There is also a powerful Virupakshini amma temple (mother goddess) in a village called Nalagamapalle, Chittoor district, Andhra Pradesh, approximately 100 km from Tirupati.

HISTORY

The temple's history is uninterrupted from about the 7th century. The Virupaksha-Pampa sanctuary existed well before the Vijayanagara capital was located here. Inscriptions referring to Shiva date back to the 9th and 10th centuries. What started as a small shrine grew into a large complex under the Vijayanagara rulers. Evidence indicates there were additions made to the temple in the late Chalukyan and Hoysala periods, though most of the temple buildings are attributed to the Vijayanagar period.
Under the Vijayanagara rulers, in the middle of the 14th century, there began a flowering of native art and culture. When the rulers were defeated by invaders in the 16th century, most of the wonderful decorative structures and creations were systematically destroyed.
The cult of Virupaksha-Pampa did not end with the destruction of the city in 1565. Worship there has persisted throughout the years. At the beginning of the 19th century there were major renovations and additions, which included ceiling paintings and the towers of the north and east gopura.

ARCHITECTURE

The progressively diminishing superstructure is made with brick and mortar. All around the exterior of the first tier spots many interesting stucco figures. You may get to some distance from the base of the tower to see all of them.The original worship place was only a few separate humble shrines (believed to be as old as 7th century) housing the image of the god and the goddesses. Over the centuries the temple gradually expanded into a sprawling complex with many sub shrines, pillared halls, flag posts, lamp posts, towered gateways and even a large temple kitchen. You access the temples main entrance tower through the chariot street in front now popularly called the Hampi Bazaar.


This east facing giant tower (Gopura) leads you the first courtyard of the temple complex. This pastel painted 9 storied tower with a pair of cow horn like projections on top is the most prominent landmark in Hampi. The lower two tiers of the tower is made of decorated stone work.


FESTIVAL

The temple continues to prosper and attracts huge crowds for the betrothal and marriage festivities of Virupaksha and Pampa in December.
In the month of February the annual chariot festival is celebrated here.




















































Wednesday, October 22, 2014

LOTUS TEMPLE

       The LOTUS TEMPLE , located in New DelhiIndia, is a Bahá'í House of Worship completed in 1986. Notable for its flower like shape, it serves as the Mother Temple of the Indian subcontinent and has become a prominent attraction in the city. The Lotus Temple has won numerous architectural awards and been featured in hundreds of newspaper and magazine articles.

        Lotus Temple is one of the remarkable architectures of Bahai faith. It is located at Kalkaji in New Delhi. The temple looks like a lotus flower and is made of marble, cement, dolomite and sand. The temple has no restrictions for visitors and is open to people from all religions. The place provides immaculate environment for meditation, peace and wisdom. The Bahai temple was completed in 1986. Since then the temple has received recognition from all over the world for its splendid architecture and design. Lotus Temple is among the most visited monuments in India. The credit for building this beautiful structure goes to the Persian architect Fariborz Sahba from Canada.

       Personifying Lotus in the temple does not merely mean giving a lotus shape to the edifice but it has a message to the people of India in the form of a manifestation from the almighty. Lotus is a symbol of peace, purity, love and immortality. It is this particular specialty of Lotus flower which makes the flower an important icon in Indian culture and society. This is why the design of Lotus temple has been inspired by lotus flower.


       The design looks like a half opened Lotus flower with 27 freestanding "petals" made of marble. The architect, while designing the temple took into account the eternal beauty of Lotus flower. The construction work took almost 10 years before it finally got shape and was open for public. The team comprised of 800 engineers, technicians, workers and artisans who worked diligently to give realization to one of the most complex edifices in the world. The temple integrates the aesthetic values along with the technological influence within the whole structure. There are nine reflecting pools that encompass the temple from outside. Converting the geometry of the design that did not have any straight line to the actual structure needed a lot of effort and dedicated engineering.

       The temple has the capacity to accommodate nearly 2500 people and has nine doors that open in a central hall. The whole structure is made of white marble that adds to the glory of the temple. It is about 40 meters tall surrounded by nine ponds and appears as if the temple is floating like a Lotus flower in water.

AWARD


Award given to the architect Mr. Sabha in the year 1987 from International Federation for Art and Architecture, USA.
Award for the structural design by the Institute of Structural Engineers in UK.
The Citation Award for personifying the visual impact of the beautiful Lotus flower.

Accreditation for its outdoor illumination in the year 1988.
American Concrete Institute Award for being one of the most artistically built concrete structures.
In the year 2000 it received the "Glob Art Academy Award" from Glob Art Academy in Vienna.
So, whenever you visit Delhi, do not forget to see this particular masterpiece which offers a strong message of wisdom, peace and tranquility.

TOURISM


          Since its inauguration to public worship in December 1986, the Bahá'í House of Worship in Delhi has, as of late 2002, attracted more than 50 million visitors, making it one of the most visited buildings in the world. Its numbers of visitors during those years surpassed those of the Eiffel Tower and the Taj Mahal. On Hindu celebration days and holy days, it has drawn as many as 150,000 people in one day.
         This House of Worship is generally referred to as the "Lotus Temple". In India, during the Hindu festival Durga Puja, several times a replica of the Lotus Temple has been made as apandal, a temporary structure set up to venerate the goddess Durga.  In Sikkim a permanent replica is of the Hindu Legship Mandir, dedicated to Shiva.

IF YOU WISH TO SEE THE BEAUTY OF ARCHITECTURE !!!

COME AND SEE THE LOTUS TEMPLE......










































































Sunday, October 19, 2014

HAWA MAHAL























Hawa Mahal "Palace of Winds" or "Palace of the Breeze"), is a palace in Jaipur, India, so named because it was essentially a high screen wall built so the women of the royal household could observe street festivities while unseen from the outside. Constructed of red and pink sandstone, the palace sits on the edge of the City Palace, and extends to the zenana, or women's chambers.

Hawa Mahal is a marvellous structure within the red associated with Indian, Jaipur. Hawa Mahal had been constructed through Maharaja Sawai Pratap Singh within 1799. Hawa Mahal has got the type of overhead associated with Krishna as well as had been created by learn builder Lal Chand Usta. This is a 5 varied framework and it has 953 home windows. These types of home windows, referred to as Jharokas this a glance for a honeycomb from the beehive. The objective of this kind of style was going to help regal women to see town living without having to be observed through other people when it was normal to allow them to notice stringent "purdah". Hawa Mahal is made associated with red-colored sandstone and it is situated in a occupied industrial middle associated with Jaipur. Hawa Mahal whenever observed morning hours provides a spectacular see bathed within fantastic dawn.


HISTORY


           Maharaja Sawai Jai Singh had been additionally accountable for the actual fantastic preparing as well as improvement Jaipur town within 1727. It had been the actual grand son associated with Maharaja Sawai Jai Singh, Sawai Pratap Singh who had been the actual boy associated with Maharaja Sawai Madhosingh We who else constructed the actual Hawa Mahal within 1799. Pratap Singh had been a good hardcore lover associated with God Krishna. This particular immortal loyalty with regard to God Krishna influenced Pratap Singh to create Hawa Mahal in the honor. Although you will find absolutely no apparent data of all time it really is considered which Hawa Mahal had been created for regal women to possess a glance associated with occupied town living without having to be noticed through other people. The actual regal group of Jaipur additionally utilized Hawa Mahal like a summer time escape. Throughout the very hot summer season the actual incredibly created windowpane displays associated with Hawa Mahal supplied awesome air flow that supplied a lot rest from the actual extreme temperature from the summer season.
          
The palace is a five-story pyramidal shaped monument that rises 50 feet (15 m) from its high base. The top three floors of the structure have a dimension of one room width while the first and second floors have patios in front of them. The front elevation, as seen from the street, is like a honeycomb web of a beehive, built with small portholes. Each porthole has miniature windows and carved sandstone grills, finials and domes. It gives the appearance of a mass of semi-octagonal bays, giving the monument its unique façade. The inner face on the back side of the building consists of need-based chambers built with pillars and corridors with minimal ornamentation, and reach up to the top floor. The interior of the Mahal has been described as "having rooms of different coloured marbles, relieved by inlaid panels or gilding; while fountains adorn the centre of the courtyard".



























VISITOR INFORMATION

The palace, called the "specimen of fanciful architecture", is located to the south of the Jaipur city, at the main road intersection called the Badi Chaupad (big four square). Jaipur city is well connected by road, rail and air links with the rest of the country.  Jaipur Railway Station is a central main station on the broad gauge line of the Indian Railways. As well, Jaipur is connected by major highways, and by the International Airport at Sanganer, at a distance of 13 kilometres (8.1 mi) from the city.
Entry to the Hawa Mahal is not from the front but from a side road to the rear end. Facing the Hawa Mahal, turning right and again to the first right, leads to an archway entry and then to the rear side of the building.


It is particularly striking when viewed early in the morning, lit with the golden light of sunrise